M82

Designed with kick drum and broadcast vocals in mind, the robust M82 features a large dynamic diaphragm and two separate onboard EQ switches.

M82

The M82 is a robust, end-address microphone that features a large dynamic diaphragm with superb low frequency capabilities. Though it was designed to capture fat and punchy kick drum tones, the two on-board EQ switches make the M82 equally suited for a multitude of sources including vocals, percussion, guitar and bass amplifiers, organ, and brass instruments. Both the KICK EQ and HIGH BOOST switches function independently and give the user the ability to tailor the microphone’s response to the source with ease. The M82 is hand-assembled and tested in our American facility.

Features

Large diaphragm dynamic capsule provides superior low frequency definition
Balanced mid and high frequency response adds clarity and intelligibility
Independently switchable two band EQ features a mid cut and high boost
End-address design for easy positioning on most sound sources
Designed and hand assembled in the USA
Recommended Applications: Kick Drum, Bass & Guitar Amps, Broadcast/Podcast Vocals

Technical Specifications

Type: Dynamic

Polar Pattern: Cardioid

Frequency Range: 25 Hz - 18 kHz, ±3 dB

Capsule: 32mm Dynamic Moving Coil

Sensitivity: 1.85 mV/Pa, ±1 dB

Output Impedance: 250 Ω

Maximum SPL (for 1% THD): 146 dB

Dimensions: 155 mm L x 63 mm Dia

Weight: 434 g

Included Accessories: Right Angle XLR Cable, Stand Mount, Zipper Bag

ON-BOARD EQ SWITCHES Kick EQ: -6 dB at 350 Hz

High Boost: +6 dB at 6 kHz to 10 kHz

Frequency Response

Media

“Everyone knows that Steely Dan is famous for their incredible accomplishments in recorded audio,” commented Dowdle. “Living up to the expectations of such an iconic duo, who are revered in the music industry for their attention to detail, is challenging to say the least. With TELEFUNKEN’s new M82 mics I was able to capture and reproduce the kick, as well as the bass guitar in ways that truly emulated the original Steely Dan recordings. The filter switches on the mic itself, along with the internal shock mount system, proved to be an invaluable asset.”

Mark Dowdle – Steely Dan FOH